PRESS:
“A tender and visually striking film about using art to combat the unrelenting
difficulties of aging.”
- CBS News
difficulties of aging.”
- CBS News
“An uplifting celebration of the love between a son and his father...
an elegant, focused piece of storytelling”
- Screen Daily
an elegant, focused piece of storytelling”
- Screen Daily
“S. Leo Chiang and Yang Sun’s vibrant documentary about this labor of love proves to be a multi-layered metaphor of the interplay of art, memory, loss, and reconciliation…”
- The Boston Globe |
“Sun and Chiang’s ability to capture the theatrical wonder of Maleonn’s work helps introduce this extraordinary artist to the West, while the story of loss and the next generation rising is universal.”
- Documentary Magazine |
"Moving… Compelling… a thoughtful, sensitive, brilliant subject.”
- Variety |
“A thought-provoking, melancholy portrait of creativity and growing up that’s hard to shake.”
- The Pop Break |
“Our Time Machine is a wondrous blend of beautiful puppet imagery and even more beautiful family drama... It’s one of the best films of the year.”
- We Are Movie Geeks
- We Are Movie Geeks
AWARDS:
Winner! 'Best Cinematography in a Documentary Feature'
Tribeca Film Festival
Tribeca Film Festival
Add Our Time Machine To Your Collection Below!
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Our Time Machine
Directed by Yang Sun & S. Leo Chiang
Run time: 81 min Public Performance Rights Licensing:
Starting at $299 Organizations & institutions please contact info@passionriver.com today for a quote Genres: Documentary, Psychology, Disability, Art, Family
Synopsis:
When artist Maleonn realizes that his father suffers from Alzheimer’s disease, he creates “Papa’s Time Machine,” a magical, autobiographical stage performance featuring life-size mechanical puppets. Through the production of this play, the two men confront their mortality before time runs out and memories are lost forever. |
Long Synopsis:
43-year-old Maleonn is one of China’s most influential conceptual artists today. His father, Ma Ke, was the artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment.
When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally.
With enthusiasm both domestically and from abroad, the play shows signs of a promising future. But Ma Ke’s condition deteriorates. Maleonn is torn between the original goal to honor his father and the pressure towards commercial success. Ma Ke struggles to contribute to the play, and barely recognizes the play when it is completed.
Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. There is however, the relationship that has developed with co-director Tianyi. He proposes to her, ready to become a partner and a father, and to carry on forward with a new outlook on his art and life.
43-year-old Maleonn is one of China’s most influential conceptual artists today. His father, Ma Ke, was the artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment.
When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally.
With enthusiasm both domestically and from abroad, the play shows signs of a promising future. But Ma Ke’s condition deteriorates. Maleonn is torn between the original goal to honor his father and the pressure towards commercial success. Ma Ke struggles to contribute to the play, and barely recognizes the play when it is completed.
Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. There is however, the relationship that has developed with co-director Tianyi. He proposes to her, ready to become a partner and a father, and to carry on forward with a new outlook on his art and life.